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PUNCH-DRUNK LOVE
by
Paul Thomas Anderson
LOGO
Presentation cards with white, red, blue, blue-green
backgrounds, then:
CUT TO:
INT. WAREHOUSE - EARLY MORNING
CAMERA (STEADICAM) holds on a man in a suit, sitting behind
a desk, on the phone: BARRY EGAN (Adam Sandler)
BARRY
...yes I'm still on hold...
OPERATOR
And what was this?
BARRY
I'm looking at your advertisement
for the airline promotion and
giveaway?
OPERATOR
This is "Fly With Us?"
BARRY
It's hard to understand because it
says in addition to but I can't
exactly understand in addition to
what because there's actually
nothing to add it too...
OPERATOR
I think that's a type-o then, that
would be a mistake.
BARRY
So, just to clarify, I'm sorry: Ten
purchases of any of your Healthy
Choice products equals five hundred
miles and then with the coupon the
same purchases would value one
thousand miles --
OPERATOR
That's it.
BARRY
Do you realize that the monetary
value of this promotion and the
prize is potentially worth more
than the purchases?
OPERATOR
I don't know...I mean: I don't know.
OC DISTANT SOUND OF A CAR SKIDDING TO A STOP, SOME VAGUE,
DISTANT SCREAMING IS HEARD...THEN SILENCE. Barry hears this,
gets distracted, then back to the phone call;
BARRY
Can I call you back if I have any
further questions...? Can I get
your extension?
OPERATOR
It's extension 215 if you want to
try me back.
BARRY
Ok. Thank you.
He hangs up the phone and walks through his warehouse. It's
fairly non-descript place, boxing materials, etc. Products
seem to be mainly silly novelties (pens that light up, key
chains, novelty toilet plungers, etc)
He lifts a LOADING DOOR and LIGHT POURS INSIDE, WASHES OUT
THE FRAME....he's silhouette....CAMERA follows him
out...stays overexposed and over his shoulder as he looks
down towards the street.....
...his business is situated at the end of a common driveway,
shared with a few other nondescript places and an Auto
mechanic....distant SOUND of a car SPEEDING and SKIDDING....
....hold, then:
....a JEEP CHEROKEE comes FLIPPING into FRAME, far off at
the mouth of the alley, on the street. The JEEP ends up
landing RIGHT SIDE UP....HOLD....
.....Barry flinches a little, stares.....the JEEP sits idle
for a moment....then it drives off....then:
A speeding, small TOYOTA comes into view at the mouth of the
alley, screeching to a halt. The passenger side door opens
and a small, wooden HARMONIUM (like a portable organ) is
placed on the ground. The TOYOTA speeds away.....
....a moment or two later another NON-DESCRIPT CAR flies
past very fast....
BEAT. Barry squints, looks at the small HARMONIUM sitting
alone in the middle of the street.
He hesitates, looks around, holds, then walks back inside
his warehouse.
CUT TO:
INT. BARRY'S WAREHOUSE - THAT MOMENT
Barry on the phone again;
BARRY
....I'm not exactly sure what that
means...
VOICE
If they break or something. What is
it, plastic?
BARRY
It's a plastic, yeah.
VOICE
Right. Alright, lemme call you
first thing tomorrow, I'm gonna run
the numbers, see what's what and
I'll give you a call back --
BARRY
Did you have my home phone number?
VOICE
For what?
BARRY
If you wanted to call me back I
could...
VOICE
I'm fine, I have your work number.
BARRY
Ok...because of the time difference
if you needed to call me early?
VOICE
It's fine. I can just get you at
your office.
BARRY
Ok.
VOICE
Ok, bye, bye.
BARRY
Bye.
He hangs up the phone and walks outside, CAMERA follows him
again, out to the alley, over his shoulder......he looks
down the length of the alley at the Harmonium. HOLD, THEN:
A small FORD ESCORT pulls into the driveway, around the
Harmonium, parks......a young woman named LENA LEONARD
(Emily Watson) exits the car and starts to walk down the
length of the alley towards him.....CAMERA stays over his
shoulder and turns into a profile 2-shot;
LENA
Hi. Do you work at the mechanic?
BARRY
No.
LENA
They're not open yet?
BARRY
They don't get opened until eight.
BEAT. Barry gently steps back and out of the FRAME.
LENA
Is it ok if I leave my car you think?
BARRY
I don't know.
LENA
I thought they opened at seven.
(beat)
If I left my car would it be ok?
BARRY
I don't know.
LENA
Do you know them.
BARRY
Not very well.
LENA
Can I ask you, can I trust to leave
my keys with you and give them to
you so that when they get here you
could give them to them?
BARRY
Ok.
LENA
You think it's ok where I left it,
right there?
BARRY
I think that'll be fine.
Lena hands him her keys, he steps back into FRAME, THEN:
LENA
There's a piano in the street.
BARRY
Yeah.
BEAT.
LENA
Ok. Maybe I'll see you later. Thank
you for your help.
BARRY
Thank you.
LENA
Maybe I'll see you later, when I
pick up my car?
BARRY
Ok.
She walks away....he starts back inside the warehouse,
hesitates, watches her go.....right before she reaches the
end of the alley, she glances back quickly, over her
shoulder....he dodges inside real quick.....
HOLD THE EMPTY FRAME......then he steps back out.....looks
off at the Harmonium.....and the empty street.....he looks
around some more....then he makes the long walk down the
street.
ON THE STREET.
Barry stares at the Harmonium a little bit, looks around,
both ways, then casually picks it up and walks back towards
his business.....
He brings it into his office and places it on his desk. He
tries a few keys....pressing down...there's no sound.
He presses his hand on the foot pedal and presses a key and
a small note is made.....BEAT....he does it again....and
holds the note.....
CUT TO BLACK.
INT. WAREHOUSE - OFFICE - EARLY MORNING
Barry enters the warehouse with harmonium and runs into his
office. He places it on the desk and hits a key: no sound.
Barry goes to his knees and unlatched the bellows. He pumps
the bellow, reaches up, presses a note, and another...then
stands up into CU. and presses the 5 note
melody......SUDDENLY: THE SOUND OF THE POD BAY DOOR SLIDING....
....Barry spins around, scared shitless, sees: LANCE, who
enters the warehouse, Barry rushes out to greet him;
LANCE
Hey, good morning, Barry.
BARRY
Hey...Lance....can I.....
LANCE
You ok?
BARRY
Yes I'm fine.
LANCE
Why you wearin' a suit?
BARRY
Um....I bought one. I thought maybe
it would be nice to get dressed for
work, can I show you something?
LANCE
Yeah.....you got here early huh?
BARRY
....yes.....
They enter into the office, Lance sees the harmonium;
LANCE
What is this?
BARRY
I don't know. I think it's a
piano....a small piano.
LANCE
That's not a piano.....I have a
piano at home.....where'd you get it?
Lance walks around behind the harmonium....leaving Barry
alone....towards the warehouse......he starts to back up a
little.....
BARRY
Well.....it was dropped on the
street.....
Sal, Ernesto and Rico all start to come into work behind
Barry.....he sees them: CAMERA pushes in on Barry....
LANCE (OC)
Why is it here? Barry....Barry?
BARRY
...it just....I don't know....I
don't know.
LAND IN CU. ON BARRY. CUT TO BLACK.
TITLE CARD Punch-drunk Love Movie
(maybe color blooms/overture here)
INT. WAREHOUSE/MAIN AREA - DAY
CAMERA pushes in slow as Barry and Lance talk to TWO
CUSTOMERS about the plungers which are on display in front
of them. They speak all over each other doing shop talk, etc;
CUSTOMER
You do guaranteed sale? etc.
BARRY
We back our plungers 100% and we do
ask for a 30 to 60 day display on
the floor.....
In the b.g., RICO over the laud speaker says:
RICO
Barry, your sister's on line one.
Barry doesn't move....
BARRY
Yes.....we do ask for....30 to 60
days....
CUSTOMER
I think you have a call?
Rico turns around, without loudspeaker;
RICO
Barry, your sister is on line one.
They look at him a moment....
BARRY
I'm just gonna grab this call real
quick?
ANGLE, REVERSE. Barry turns and heads for the phone nearby
at Rico's station;
BARRY
(into phone)
.....This is Barry.
RHONDA
Hey it's me, it's Rhonda. Are you
coming to the party tonight?
BARRY
Hi, Rhonda, yes I am.
RHONDA
Bye.
She hangs up.
BARRY
Ok. Yes I'll see you tonight.
Barry takes a few steps back to the Customers:
BARRY
Sorry about that: One thing I
wanted to point out, Dave, is that
we've just received a large order
from the Rio Hotel and Casino in
Las Vegas where we're going to be
supplying their hotel rooms with
the dice and money plunger, so
these babies are really moving well
right now...
RICO
(over loudspeaker)
Barry, your sister's on line two.
Barry, your sister's on line two.
Barry tries again to ignore it....
BARRY
With the Aqua Blast Whales and
Speed Boats we're gonna ask for a
display at eye level for the little
kids.....
RICO
Barry --
BARRY
-- excuse me.
Barry walks back to the phone;
BARRY
This is Barry.
KAREN
Hey it's me, what are you doing?
BARRY
Hello, Karen. I'm just working.
KAREN
Yeah but what are you doing?
BARRY
I'm just working....I have some
customers here.....
KAREN
So you can't talk to me?
BARRY
I have a few people here, I can't
really chat right now.
KAREN
"chat?" Did you just say "chat?"
BARRY
Well, I can't talk though --
KAREN
You just fucking said "chat," that
is so -- what are you now? "chat."
I'm just calling to make sure you
show up at this party tonight.
BARRY
Yes, I'll be there.
KAREN
Fine. You get back to chatting with
your precious customers.
BARRY
Ok, bye-bye.
Barry snaps out of this, turns, claps his hands in confidence
and walks back to the customers and says:
BARRY
Sorry about that.
CUSTOMER
I didn't know you had a sister?
BARRY
.....Well yes I do....
(beat)
But one more thing I wanted to tell
you guys about the new plungers is
that we're making the handles now
in a non-breakable material
called.....
He takes one of the plungers and to demonstrate smacks it on
the table....it SMASHES and rice falls out everywhere....
BARRY
Ok...this is one of the old ones, I
think. Lance do we have any new
plungers around?
Lance moves to get a new plunger....
BARRY
That was a little embarrassing and
that was one of the old handles so
let me get a new one to show you --
RICO
(loudspeaker)
Barry, your sister is on line one.
Barry holds, then;
CUSTOMER
How many sisters do you have?
BARRY
....I have seven.
CUSTOMER #2
Holy shit. You have seven sisters?
BARRY
They're calling because we're
having a party tonight for my
sister and the they're just
calling....can you hang on for just
two more minutes....?
Barry walks this time into his office......CAMERA tracks
with Barry to his office, seeing him try and shake this
off.....He EXITS FRAME.
CUT TO:
INT. WAREHOUSE - OFFICE - THAT MOMENT
Barry enters, takes a quick moment to size up the
harmonium.....He picks up the phone and through the
conversation gently moves the harmonium to a different spot
on the desk;
BARRY
This is Barry.
KATHLEEN
What are you doing?
BARRY
Hi, Kathleen, I'm just working.
KATHLEEN
Are you going to the party tonight?
BARRY
Yes I am.
KATHLEEN
What are you doing?
BARRY
Nothing.
KATHLEEN
Right now, you're doing nothing?
BARRY
I'm just talking on the phone to
you and standing.
KATHLEEN
What time are you gonna be there?
BARRY
Seven o'clock.
KATHLEEN
You can't be late.
BARRY
I won't.
KATHLEEN
I'm serious.
BARRY
I know.
KATHLEEN
Seriously.
BARRY
Ok.
KATHLEEN
You can't be late though.
BARRY
I know.
KATHLEEN
You can't just not show up like you
do, you have to go.
BARRY
I know.
KATHLEEN
Seriously.
BARRY
I know.
KATHLEEN
You can't just stay in your house.
BARRY
I know.
KATHLEEN
Yeah but I'm serious.
BARRY
Ok.
KATHLEEN
I'll see you there.
BARRY
I'll see you there.
KATHLEEN
Don't puss out.
BARRY
I won't.
Barry plays the 5 note melody on the Harmonium (carries over
into next scene....)
CUT TO:
INT./EXT. WAREHOUSE - LATER (BRIDGE/BREAK MUSIC WISE)
Barry and his workers are having lunch. A LUNCH TRUCK is
parked by the driveway. Barry sees the CAR that Lena brought
by at the start of the movie....OC CALL from one of the
workers;
WORKER
Telephone Barry on line one.
A mechanic passes by at this moment, keeps walking past;
BARRY
What's wrong with her car?
MECHANIC
Wha?
BARRY
Is that car gonna be ok?
MECHANIC
It's fine.
The mechanic keeps walking....Barry enters.
CUT TO:
INT. WAREHOUSE/NEAR LANCE'S DESK - LATE AFTERNOON
Barry and the boys are prepping some boxes for shipping.
Ernesto walks over, says;
ERNESTO
Barry, your sister's here.
Barry stands up fast, stumbles back a bit over some boxes,
recovers, ELIZABETH enters:
ELIZABETH
Hey, how are you?
BARRY
I'm fine, hi, how are you?
ELIZABETH
I'm just stopping by to say hello.
BARRY
Hello.
ELIZABETH
So you're coming tonight, right?
BARRY
Yes, indeed, yes I am.
ELIZABETH
There's this girl, this friend of
mine from work that I think is
really cute and really cool and I
want you to meet her so I was
thinking about bringing her to the
party tonight.
BARRY
Oh yeah no I don't want to do that.
ELIZABETH
Why?
BARRY
Well I don't want to do something
like that.
ELIZABETH
She's my friend and you should meet
her. You'd like her.
BARRY
Yeah, but please don't do that.
ELIZABETH
I'm not really asking you, I'm
telling you.
BARRY
Yeah but please don't do that:
everyone would be looking at me.
ELIZABETH
It's a free country, we can look at
you if we want to.
BARRY
Yes but I get tense and I feel like
I can't be myself if that happens.
ELIZABETH
That's your fault not mine.
BARRY
I don't think I'm going to the party.
ELIZABETH
So it's ok if I bring her.
BARRY
Please don't.
ELIZABETH
She's really cute and she's really
nice.
BARRY
...please, I just don't want it....
ELIZABETH
....wait a minute: why is this
about you now? Why is it always
about you?
BARRY
Yeah, no, it's not, it's just --
ELIZABETH
I'm trying to be your friend.
BARRY
I know.
ELIZABETH
I'm trying to get you a girlfriend.
BARRY
Well, yeah, thank you, but --
ELIZABETH
-- but since you're not going I
guess none of this matters and I'll
bring her anyway.
BEAT. HOLD. She stares him down.
ELIZABETH
All I'm trying to do is be your
friend.
She leaves. HOLD ON BARRY. He air punches/twitch.
CUT TO:
INT. WAREHOUSE - LATER/BLUE HOUR - NIGHT
Barry is alone, closing up. He takes a look at the Harmonium
and presses it, makes a sound....a little bit more....makes
a few notes. END SCORE QUE as it blends and fades into the
notes that Barry plays.
BEAT. He closes its small cover, does something on his desk
and then:
His face gets bright red, he holds back tears, opens his
mouth and has a serious but small burst of overwhelming
emotion and then it's over.
INT. SUPERMARKET - NIGHT
CU. BIRTHDAY CARD.
Barry's hands reaches in and picks a birthday card.
ANGLE, WIDER, THAT MOMENT.
Barry grabs the card and starts to push his cart....but he
pushes it straight into a SIX YEAR OLD KID who's pushing a
cart around....they slam into each other....
Barry apologizes....the KID just takes off....Barry's cart
now has a slightly damaged wheel that wobbles like crazy....
ANGLE, FROZEN FOOD AISLE.
CAMERA tracks left to right with Barry as he heads for the
Healthy Choice Frozen Dinner. He grabs one.
CU. BARRY. LOW ANGLE.
He looks at box.
BARRY'S POV - THE BOX
Slow zoom in. T<